Today I'd like to introduce you to one of the most interesting Polish composers, Krzysztof Penderecki. Starting out as a REALLY avant-garde musician (e. g. "Threnody to the Victims of Hiroshima"), in his later work he returned to more traditional forms, for which he was dubbed "a traitor of the avant-garde" by his contemporaries.
What I think he realized is that music is a language and if you want to be understood, you are bound to use at least some vocabulary that's legible to your audience. Pure experimentation, innovation for innovation's sake, is something completely opposite - an autistic idiolect, incomprehensible to the listener. If your intent is to communicate something to the world, no matter how weird it is, the weirdness has to be embedded into something familiar.
Late Penderecki does just that masterfully - inside a somewhat neo-romantic musical matrix, he's still able to place lots of harmonic and melodic experimentation, in a way that allows the listener to relate the new and weird back to the old and familiar.
https://tidal.com/track/284162301/u
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